“Prime Time” – A, A’ (manga) – 8/10

Mangaka: Moto Hagio

Genre: Sci-Fi/Romance/Psychological/Gender-Bender

Review Status: Complete (1 Volume/1 Volume)

Licensed: No, this is unlicensed in the US.

Art: Very 80′s shoujo, with big galaxy-sparkle eyes and pretty guys. This still retains the nice, detailed backgrounds that modern shoujo lack.

Summary: A volume of short sci-fi shoujo stories all featuring a new race of humans called Unicorns. The major theme in all of the stories are about human emotions. As the characters in the story try to interact and relate to these Unicorns who lack a lot of the natural emotions humans normally feel. (MAL.net)

Review: In addition to the summary above, I would also like to posit that the stories that these three tales tell is also centered on identity, explored in three different ways: individually, emotionally, and sexually.

The first story pre-empts the Western world’s obsession with cloning and its effects by about 30 years. A Unicorn wakes up to discover that she’s a clone grown from the cells of a scientist who died on a distant planet. Because the original’s work was so necessary, they send her off to replace her. The problem is that all the members there remember her as she grew and changed, forgetting that the clone was a turn back in the clock to when she first came. Relationships – especially the romantic one that grew between her and another scientist – are all reset, much to their dismay. The clone must come to terms with the idea that she’s not the original, that these people aren’t crazy or trying to irritate her… that they’re merely trying to connect with her as they knew her. Where does the original end and the clone begin?

The second story really has no relation to the first, but does serve as a prequel story to the last in the trilogy. A young psychic makes a connection to a Unicorn that’s been raised in glass walls, expected to behave a certain way and live a certain way. It turns out not all is as it appears. Other’s expectations blinded them to her potential, and when she awakens there is no turning back. How can these two keep their bonds with each other? How can she find freedom?

The last explores the idea of sexual identity. A Unicorn is born with the ability to change gender at will, but currently has settled on the male form as dominant. But a chance encounter with the psychic from the previous story unsettles everyone as they try to deal with ‘his’ attraction to the man. What effect does it have on their love, and can their relationship survive?

All three have interesting insights into what it means to love and what it means to find oneself. It’s endlessly fascinating, and while I don’t feel that the themes are always explored to their fullest, I do think they’re explored well.

Overall, it’s pretty good, but with some issues exploring these ideas in depth due to these being one-shots, I can’t really give it a perfect ’10′. Even so, the ideas explored are fascinating, and the emotional parts just gut-wrenching.

Recommended: 14+. The ideas of sexuality and identity are definitely for the older crowd. This also has a few (non-graphic) character deaths.

Other Titles You Might Enjoy:

To Terra… (manga or tv anime)

Please Save My Earth (manga)

“Lying Eyes” – Lying Mii-kun And Broken Maa-chan: Precious Lies (manga) – 10/10 Peeps

Mangaka: Hitoma Iruma (Story), Satou Atsuki (Art)

Genre: Mystery/Psychological/Romance

Review Status: Complete (1 Volume/1 Volume)

Licensed: No, this manga is unlicensed in the U.S.

Art: This is very much a modern manga, with clean lines, good shading, and solid detail when needed on the characters and background.

Summary: The setting is a rural city in which a kidnapping and a series of murders are happening simultaneously, where there was also a kidnapping 8 years ago. The victims, the compulsive liar “Mii-kun” (the narrator), and “Maa-chan” (Misono Mayu) reunite and start living together, despite of the fact that the kidnapped children were in Mayu’s apartment… (MAL.net)

Review: If you can’t tell by the title, this is all about lies. The lies we tell others, the lies we tell ourselves, all the lies that we can fill our lives with. This is told via an unreliable narrator, so not only do the characters lie (and lie, and lie some more), but each chapter reveals how we assume things about how stories work and shows us how wrong we can be about what’s happening. It’s a brilliantly executed idea, letting the story reveal in bits and pieces what’s really happening and never letting on about it from the beginning.

The characters are as engaging as the method of storytelling. This revolves around two missing children. Who took them? Why? It turns out that there’s a whole lot of trauma and terror behind the events. The names of the characters should also be major hints of what’s happening – Maa-chan is broken by a horrific past. It’s no secret that the police have their eyes on her because of it. Mii-kun ends up her accomplice, lying to protect her and himself. Lies are a powerful force in this story and often drive their motives and actions. The lies they tell also end up revealing a lot about them (doubly surprising since lies are usually meant to hide things) and what is going on between these two.

This is a story I would happily pay someone to translate the light novels for. This manages a compelling story about two characters that are broken, twisted human beings, driven to actions by forces that were beyond their control and in some ways are still unable to stop. Top that off with managing to upset the normal form for storytelling in a clever – nay, ingenious – way that connects with the title, and I’ve found a winner!

Overall, this is a manga that I can’t help but recommend!

Recommended: 16+. This deals with some very, very harsh themes. Child abuse and murder are the order of the day. There’s nothing particularly gruesome shown, but the implication is more than enough. There’s also a good deal of blood shown even if the outright violence is avoided as much as possible.

Other Titles You Might Enjoy:

Liar Game (manga)

Kimi no Knife (manga)

“What’s New, Pussycat?” – Nineteen, Twenty-One (manhwa) – 10/10 Peeps

Mangaka: Hye Jin Kim (Art), Na Che (Art), Han Yu (Story)

Genre: Romance/Slice-of-Life

Review Status: Complete (1 Volume/1 Volume)

Licensed: This is unlicensed in the US.

Art: This is done in a fairly typical manhwa style, but in lovely pastels and with a delicate watercolor look.

Summary: Yun-lee is a girl who is carrying a huge emotional scar in her heart. Due to an accident, she lost 2 precious years of her life, the time period between 19 and 21 years old. Her life is empty. She is miserable, but still attending a preparatory school in an attempt to catch up with all the time she has lost. Suddenly, one day on her way to feed some stray cats, she comes across a young man who seems to have what she has lost… the period between 19 and 21 years old. (Easy Going Scans)

Review: What do cats have to do with love? No, this is not a trick question. Sometimes we have an interest that guides a lot of our interactions with people and how we deal with them. For Yun-lee, this happens to be cats. She loves cats. She’ll feed the strays with any spare cash that she has, and does what she can. It’s especially important for her since she’s missed out on a good chunk of her life and feels disconnected from other people her age – she missed out on her 20th birthday, a huge celebration of adulthood.

Where does this leave her? That’s what she’s trying to find out. The only beings she feels any connection with are the stray cats that she feeds every day…and later, a nineteen-year-old boy that she discovers has also been taking care of them. The dialogue between them is loaded with double-meaning. It can be read either as a simple tale of two people falling in love, or as one about these two finding their place in life. With all that going on, I had to read it twice just to catch everything! The use of the cats and metaphor was very subtle and very appreciated since short stories often don’t manage it with the space they have.

Some of the issues it hits tend towards the cliché (dealing with nosy/rude neighbors, trying to find them a home), but tend to be dealt with rather ingeniously. It also never comes off as being shoehorned in for the sake of the story. The ending was also as good as I could hope for. Things aren’t left completely open-ended, instead opting for solid, almost fairly-tale like ‘and they lived happily ever after’, but with a few caveats. They know that the road ahead isn’t going to be easy but are willing to keep trying anyway. It was wonderfully touching.

Overall, I adored this little romance romp for pet-lovers.

Recommended: 9+. The worst thing in here is how one of the cats dies from being hit by a car, but there’s no gore to speak of. It’s clean, clean, clean besides that! Younger readers probably won’t appreciate the finer points of the story, though.

Other Titles You Might Enjoy:

Honey and Clover (anime or manga)

Someday’s Dreamers (manga or anime)

“Quoth The Raven” – Black Bird (manga) – 4/10 Peeps

Mangaka: Kanoko Sakurakoji

Genre: Romance/Drama/Supernatural/Shoujo

Review Status: Incomplete (4 Volumes/19 Volumes)

Licensed: Yes, this is licensed in the US by Shoujo Beat.

Art: It’s standard. I liked the judicious use of toner, backgrounds, and really thought the tengu designs were interesting. But the art really doesn’t stand out in any way.

Summary: There is a world of myth and magic that intersects ours, and only a special few can see it. Misao Harada is one such person, and she wants nothing to do with magical realms. She just wants to have a normal high school life and maybe get a boyfriend. All that changes one day when Misao is attacked by a demon. Her childhood friend Kyo suddenly returns to save her and tend her cuts – with his tongue! It turns out Misao is the bride of prophecy, whose blood gives power to the demon clan who claims her. But most demons want to keep her power for themselves – by eating her! Now Misao is just trying to stay alive…and decide if she likes it when Kyo licks her wounds. (back cover of 1st volume)

Review: This is one of the Shojo Beat titles I hear thrown around a bit, so when the opportunity to check it out from the library came up, I took it with few expectations about what it was. I figured it might be a slightly smuttier version of Kieli, one of my favorite supernatural romances. I was a little off; Sure, this girl might be able to see spirits, but that’s about it!

Misao is just an average teen girl who happens to see spirits, and when she’s attacked one day, she’s rescued by a super-handsome guy that is deeply in love with her and wants to get into her pants.

Still with me?

So far, these four volumes have centered around how she’s the DESTINED ONE and sex. Not necessarily in that order, though, and not necessarily separately. The big deal is that if she has sex, then the clan of whomever manages to have bedded her will prosper. This is a big draw for Kyo (though apparently there’s some childhood friendship there that’s blossomed into love as well, but there’s a big mystery surrounding this). It’s also a big draw for a few other clans, so they’re completely willing to fight over her. Honestly, how it’s carried out is a major teen girl fantasy, and not unlike…I hate to say this… Twilight. It’s so full of near-sex and sexual tension it’s hard to believe they managed to squeeze anything else in.

Suffice it to say that there isn’t that much else here. Misao and Kyo are as standard and uninteresting as possible, and while I’m intrigued by some of the side characters (the brothers seem like awesome people and I’d love to have more of them!) we’re only treated to brief glimpses of their personalities, making them one-note characters. The story also assumes that knowing absolutely nothing about them, we’re supposed to adore them and understand they’re Misao’s New Best Friends. Even the bad guys are completely boring! This is as average as average can be, and definitely uses it to its full advantage.

Overall,  it’s a teenage girl’s ultimate romance story, mixed the angst of having sex for the first time with being the sexual fantasy of a really hot guy and adding some supernatural drama. I got over this stuff long ago. There’s so much sexual angst that it’s hard to see the character development. I can’t even mention the plot development because it’s all about the sex.

Recommended: 18+. It’s not hentai, but it comes darned close quite a few times. There are a number of highly sexualized scenes, where they are kissing half-naked and whatnot, but I suspect that when it gets to it the actual scene will be mostly stylized editing. I’d probably label it ‘softcore porn’.

Other Titles You Might Enjoy:

Akagami no Shirayuki-hime (manga)

Bride of the Water God (manhwa)

Love Monster (manga)

“Birds And The Bees” – Honey and Clover, Season 2 (anime) – 10/10 Peeps

Genre: School/Slice of Life/Romance/Drama/Josei

Review Status: Complete (12 Episodes/12 Episodes)

Licensed: Yes, this is licensed in the US by VIZ.

Art/Animation: This goes for more sketch-like art and done in pastels. It’s kind of artsy itself. Most everyone and everything looks delicate, and works in so many ways. The chibis are also incredibly cute. The animation is more than adequate as well – it looks great.

Summary: Is there life beyond art school? Yuta returns from his journey of self-discovery only to find everyone around him deep in their own struggles to shape their futures. Ayumi finds herself increasingly encluded in projects involving Takumi and Rika, and the strain is breaking her. Far away in America, Shinobu and his brother’s enless quest for money finally helps them achieve their ultimate goal, while back home Hagumi must face the devastating consequences of an accident that could change her life forever. Can the pursuit of happiness and the pursuit of art ever be one and the same? (back cover of DVD set).

Review: Continuing where the first season left off, the second season finally delves into these character’s pasts and their drives in life, and brings everything to a fantastic conclusion. At the end of the first season, Yuta decides that he can’t continue on the path he’s on – no path. Lost and aimless with his life, he went on a bike ride to the farthest reaches of Japan. Seeing this play out is fascinating. It’s something that most people don’t set out to do, and is in some ways tougher than it was 100 years ago. And along the way, he finds people doing work, work that Yuta finds incredibly meaningful and fulfilling, and finally finds something that he could do for the rest of his life. In a way, it really rings true to what a lot of college students discover – that sometimes it takes actually going out and being in the world to begin finding ourselves and what we want to do. In a few episodes that span a number of months, he’s made a fantastic journey and finally figured out some of the most important things in his life.

Against that backdrop, everyone else’s life seems to be falling to pieces. Ayumi has always waited in the wings for her best friend, but another man has fallen for her. Takumi has never really been as upstanding about their relationship as he should have been, leaving her as a back-up, but finally has to make a decision on letting her go and letting her find the love that she deserves. His own relationship with Rika also comes to a head as he fully faces what it means to help deal with the heart of someone who’s deep in grief. I never felt that any one of these characters was making bad choices – I could only feel that these characters made real desicions. They’re torn by indecision and unable to really make a leap of faith with their futures.

Putting all their concerns in perspective, Hagumi is injured so badly that she might never make art again. This story could have taken the easy route of having her find something else that she could do, but no. This fully deals with Hagumi’s own past. She was trapped in a house with no escape for a long while. Art was what made life bearable. Her grandmother’s death and the freedom that her cousin gave her meant that she could truly express herself and get delight out of life… and that’s taken away in an instant, and there’s no certainty that she will ever recover enough to do it again. It really beings to light the fact that Shinobu has never been around for Hagumi when she needs it, but Yuta has been… but Hagumi’s relationship with her cousin might mean that she doesn’t make a move. I can’t say more because that would spoil it.

But when all is said and done, each step on this journey makes the story deeper and more relatable, and more beautiful. These characters never have a sure future, and nothing plays out predictably. Each episode highlights different, difficult issues that people have to face in their darkest times. It’s really one of the best anime I’ve ever seen, and really embodies the meaning of the phrase that it’s not the destination, it’s the journey that’s important. And each character has a difficult journey that’s playing out that we get to witness, and makes the entire show bittersweet.

Overall, this is an anime I can’t recommend highly enough.

Recommended: YES. 16+. Implied sex in one scene again, along with a few swears. But other than that, this is unbelievably clean, and a beautiful story to boot.

Other Titles You Might Enjoy:

NANA (anime and manga)

Moyashimon (anime and manga)

Nodame Cantabile (anime)

Ano Hana (anime)

Kids on the Slope (anime or manga)

Welcome to the NHK (anime or manga)

Genshiken (anime or manga)

Tatami Galaxy (anime)

“Simply Touching” – The Magic Touch (manga) – 6/10

Mangaka: Izumi Tsubaki

Genre: Romance/Comedy/Shoujo/School

Review Status: Incomplete (4 Volumes/9 Volumes)

Licensed: Yes, this is licensed by Shoujo Beat Manga.

Art: Typical shoujo art. It could be a template for other shoujo.

Summary: The star of her high school’s Massage Research Society club, Chiaki Togu is otherwise a normal, quiet girl until she falls in love at first sight with a gorgeous back – a back that happens to belong to Yosuke, the hottest guy at her school! Unfortunately, Chiaki’s attraction to Yosuke is thwarted by her own insecurity and the scheming of other girls – especially her twin sister Sayaka! Although Yosuke seems to be out of Chiaki’s league, she would do anything to give him a massage. The two eventually strike up a deal in which she will be allowed to touch his back…if she can make him fall in love with her! (back cover of 1st volume).

Review: This manga has by far and large the most unique premise I’ve come across in manga; A romance that happens because of  massage. And I don’t mean any massage parlor, either – it’s a school club dedicated to the art, and a girl who’s obsessed with it because it’s the only skill she has. Chiaki wants nothing more than to be a great masseuse, so that attracts her to the most irritated, painful back she’s ever seen.

It’s amazing how such a unique and interesting plot can fall so hard into all the tropes of shoujo ever. Chiaki is very much a typical heroine, torn over her feelings towards Yosuke and determined to do her best no matter what. The issue is that she’s torn over her feelings – she clearly was attracted to the prospect of massaging him from the beginning, and we the readers are explicitly shown that. So why all the drama about whether she had actually fallen in love with the person it belonged to first? It simply didn’t happen. Yosuke is a little different from the typical love interest by being angry and irritable. He’s not into other girls. Or, heck, other people. The issue comes in when he’s attracted to Chiaki for her charm…which is cheesy to begin with.

A lot more could have been done with that if they hadn’t decided to ignore the family dynamics and relationships of these two. The first volume introduces Chiaki’s twin sister who’s been busy making Chiaki’s life miserable, ruining her good name, and it’s resolved with barely any issue in that same volume. That same volume also brings up an interesting relationship dynamic between Yosuke and his brother, and that brother with Chiaki’s sister. All the mistaken identity issues just wrapped up for the sake of introducing club activities! Bah.

It wasn’t a total loss, though. I thought the club activities and trickery were pretty funny – I’ve never seen so much involvement from a club president in a manga before, and he’s crazy enough to make me forgive a lot in this series. The only goal is to learn massage and if that means entering an underground massage tournament, then so be it! Summer parties? Massage! Sleepovers? Massage! There is no rest for these kids. (wat) I’m also rather fond of the opponents introduced here. It provides an interesting mash-up of quirks and personalities, and I really enjoyed how it worked with that.

Overall, it’s cute, but a fairly typical shoujo romance. If you have a particular interest in massage then it might be a little more entertaining, but other than that nothing special.

Recommended: 12+. There is some innuendo in some later volumes, especially after Chiaki mistakes a comment about her being ‘small’ as about her breasts. This is discussed.

Other Titles You Might Enjoy:

Kitchen Princess (manga)

“Making Life Sweeter” – Honey And Clover, Season 1 (anime) – 10/10 Peeps

Genre: School/Slice of Life/Romance/Drama/Josei

Review Status: Complete (24 Episodes/24 Episodes)

Licensed: Yes, this is licensed in the US by VIZ.

Art/Animation: This goes for more sketch-like art and done in pastels. It’s kind of artsy itself. Most everyone and everything looks delicate, and works in so many ways. The chibis are also incredibly cute. The animation is more than adequate as well – it looks great.

Summary: What do you get when you cross creativity with self-discovery and unrequited love? Art school! Yuta Takemoto has no idea what’s in store for his life when he enrolls at a Tokyo art college, but he finds out right away it’ll never be dull! Love triangles form as fast as friendships when both Takemoto and senior classmage Shinobu Morita fall hard for she artistic prodigy Hagumi Hanamo. And while architecture student Takumi Mayama secretly pines for an older woman, dazzling ceraicist Ayumi Yamada pines for him! Confused yet? (back cover of first DVD set)

Review: There aren’t that many Josei anime out there, which makes this a real treasure since it tops most other josei in legnth and depth. This series decides to explore growth against the backdrop of college, which a lot of people can relate to, and in a twist through the eyes of Yuta, a young man who is making his way through it all. He’s living in a run-down apartment building with several other students. He’s worried about his money, focusing on his studies, and just living life as it comes. With the injection of Hagumi into his world, things start changing little by little.

This is slice of life in the most serious of ways. The cast of characters is HUGE, from the old art teacher who’s desperately trying to get Shinobu to graduate to Takumi’s coworkers, and relationship quirks and changes happen over time. It’s astounding to see it flow so naturally and hard to pinpoint how expactly they grow, the little things that you *know* but can’t really say. Everything seems fine on the surface at the beginning between them all. Harumi doesn’t seem to be that big a deal, even if it’s made clear in the beginning that both Shinobu and Yuta have love at first sight.

And, quite frankly, there’s a lot of missteps for both of them. Shinobu has an eternal quest for money, and disappears for days -weeks – months on end with no notice. At school he’s as carefree as anything, but that also makes him a tad insensitive to the feelings and desires of others. Because we see it through Yuta’s eyes, he’s self-aware that he is more interested than normal in Hagumi, but he never makes a move himself. He’s too unsure of himself, and rather intimidated because he notices little things happening around her that build his suspicions that he’s not the only person that’s longing for her, from a wooden badge to a new pair of shoes that Harumi discovers. But when it comes down to the line, neither have the will or words to tell her that they’re in love with her, though Harumi only has eyes for Shinobu, even with Yuta by her side and an ever-constant friend.

At the same time, another love triangle brews. Takumi is in love with an older woman who lost her husband in a car accident. She didn’t go looking for love, but Takumi nonetheless fell for her. But she doesn’t think that Takumi can be with her, and even though he does his best, he is turned away. His best friend Ayumi has always been in love with him, and she doesn’t hide it very well. However, Takumi can’t love her back. It just can’t happen.

Every bit of this happens against the backdrop of school and life. Takumi graduates and finds his way into an architectural company that sends him out into the world. Ayumi graduates, but with her skills she can stick around the campus and make great works of art, establishing herself as a reliable artist and starting to make a living. Between these and the things Shinobu is becoming famous for, it’s a constant cloud reminding them that college life can’t last and that they need to figure out what they will do with their lives and why. Yuta grows more and more frustrated by his own choice, unable to figure out how he’s going to support himself with it. And Harumi grows more and more involved with her own art, but in the back of her mind she worries about her cousin and how she can ever repay him for what he’s done for her.

Overall, this is a fabulous anime. While not complete – there’s a second season to wrap things up – this is a fabulous first half that really manages to be sensitive about love and how complicated relationships can be.

Recommended: 16+. This is mostly clean – almost entirely clean – and while the handfull of swears isn’t really the big concern, the one instance of implied sex is. It’s not graphic, but you do get the strong implications.

Other Titles You Might Enjoy:

Moyashimon (anime and manga)

Nodame Cantabile (anime)

Ano Hana (anime)

Kids on the Slope (anime or manga)

Welcome to the NHK (anime or manga)

Genshiken (anime or manga)

Tatami Galaxy (anime)

“Play Ball!” – Taisho Baseball Girls (anime) – 9/10 Peeps

“If All You See Is How I Look, You’ll Miss The Superchick Within” – “Superchick” by Superchick

Genre: Sports/Comedy/Slice-of-Life/Historical/School/Romance

Review Status: Complete (12 Episodes/12 Episodes)

Licensed: Yes, this is licensed in the US by Sentai Filmworks

Art: It’s super-cute! The girls are all fairly recognizable, which says a lot because of how large a cast it is, and it’s in bright, vibrant colors. Definitely nice to look at.

Summary: 1925 – six years since the end of the Great War, four years since women were allowed to join political associations and one year since Emperor Hirohito assumed the throne. Only thirteen years after the death of the Meiji Emperor, Japan is a nation re-inventing itself, swept by wave after wave of wars, disasters and political unrest. War looms in China, males over the age of 24 are about to receive the right to vote and a strange new type of school uniform called the “sailor suit” is being introduced. But at least the national pastime, baseball, remains bound by tradition, the exclusive realm of men and boys. Until now. When a local player arrogantly states that girls should become housewives instead of going to school, teenage firebrands Koume and Akiko respond by forming their own baseball team. It’s shocking. It’s scandalous. And yet, in a nation in which almost anything seems possible, it may just be the start of something greater than any nine girls can imagine. It’s not just a game, it’s history in the making in Taisho Baseball Girls! (Back cover of DVD case)

Review: This was one of my favorite anime that I watched over winter vacation. Taisho really succeeds at capturing an era, before the destruction of WW2 and during the years when massive social change was happening. Koume is a young girl that wants nothing but to embrace the coming era. She wants a new, modern hairstyle. She wants a sailor suit instead of a kimono. She wants things that her traditional parents would never let her have, and it bothers her to no end. Her best friend Akiko is in similar straits, but because of her fiancée’s arrogance, has latched onto one way they can show that they can be modern: Play baseball.

But this is not a time or era when you’d have a flock of girls ready to sign up! They have to beg, plead, and cajole to get even six members, and all 12? It takes half the series just to get the team together. At the same time, it doesn’t fall into a trap of being repetitive. While they’re looking for members, the girls who are interested have to learn baseball from the ground up. None of them even know how to throw the ball, and have to enlist their English teacher, Ms. Curtland (yep, she’s actually English!) to teach them. They have to create their own clubhouse, tend their own field, and fight the school administration to be able to do the most basic school activities. It’s pretty cool to see these girls so willing to put themselves on the line, because everything is against them. They are outright dismissed by other schools because the only other teams out there are boy’s teams – and many see it as silly to challenge girls. Their families definitely don’t approve when they find out. And the school wants nothing more than to shut them down.

This is never really presented in an overly dramatic way, which is really admirable. All the these things are just the Facts Of Life in this story and the girls just find ways to deal with it.

At the same time this weaves in everyday life, mainly in the form of Koume’s family and what happens when a boy she meets falls in love with her. She’s not really thinking about that at this point in her life, but she has unwittingly brought a major complication into getting her family’s support. Her friend Akiko is in an arranged marriage against her wishes. And while some of this falls back on traditional tropes, it’s another thing that is just seen as being what it is – something common in those days, nothing surprising or overly shocking. And these things do manage to come to a fairly satisfactory conclusion.

Overall, it’s a wonderful series that wraps up perfectly in 12 episodes, and definitely one that I am happy I invested in.

Recommended: The back cover rates this as PG, and I think that’s pretty accurate. The most offensive that it could get is there’s one girl that clearly has a crush on the main, and another girl that crushes on that girl, but it’s hard to say whether this is romantic or a case of girls just idolizing each other like modern girls idolize famous women. I’m fairly sure that it could go either way.

Other Titles You Might Enjoy:

Bamboo Blade (anime or manga)

Hikaru no Go (anime or manga)

Girls Und Panzer (anime)

Chihayafuru (anime or manga)

Moshidora (anime)

Big Windup (anime)

“Innocence Lost” – Lament of the Lamb (manga) – 9/10 Desks

If you don’t believe in ghosts, you’ve never been to a family reunion.  ~Ashleigh Brilliant

Mangaka: Kei Toume

Genre: Drama/Horror/Psychological/Supernatural/School/Romance

Review Status: Complete (7 Volumes/7 Volumes)

Licensed: No. It was formerly licensed in the US by Tokyopop.

Art: This starts out with a few color pages in the beginning of each volume. These are lovey, looking like oil pastel pictures. The pages themselves have a vaguely charcoal sketch look to them, which works because there’s a strong art theme through the series.

Summary: The members of the Takashiro family share a terrible curse — they have a thirst that only human blood can slake. Sent away after the death of this mother, Kuzuna Takashiro has long been blissfully unaware of his ‘condition.’ When Kazuna’s teenage hormones begin to rage, his uncontrollable bloodlust suddenly rears its head … (Source: Tokyopop)

Review: This manga treads a fine line between Slice-of-Life and Horror, and that is a line that very few manga manage to tread successfully. Actually, this is the first manga I’ve encountered that does it well. This weaves together a story of twisted love, familial ties, and isolation to create a very compelling story of a tragically ‘cursed’ family.

Kazuna, our main protagonist, is also the object of affection for a girl in art club. She’s a bit of a loner, but sweet, and he’s vaguely attracted to her… at least, until he discovers that he’s got as much of a craving for her blood as he does for her. He’s horrified and has no idea why he has this craving and proceeds to reject everyone from his life. That is, until he goes on a search for his past and discovers a long-lost sister who reveals that his condition isn’t unnatural; it’s a disease that’s been hidden in the family and passed down through the generations. Not only did the aunt and uncl who were taising him know about the possibility of him having it (though since it rarely appeared later in life they had reason to believe he’d never come down with it), but there is also no cure.

Thus begins his exploration of what it means to be a monster. He isolated himself and is determined to live out his life as someone who has no reason to do anything or be anyone. He sees it as his only option. From the outside, his family and friends try depserately to tell him that he’s not alone. Even though they don’t know what exactly is wrong with him, they still want to be his friends. His family might also know what’s happening, but that doesn’t mean that they don’t love him nonetheless.

Enter his sister. She’s dark, enigmatic, and knows exactly what her fate will be. She knows how horrific their past is, even within the tragedy that haunts their immediate family. A father, driven mad by the loss of his wife, made his daughter the number one woman in his life. A mother, drvien mad by the curse that haunted the family. The idea that the illness might be merely the warped desires of warped consiences. The inability to love those outside the family. Kuzuma may be the main character, but his sister is truly the driving force of the story. She’s at the crux of his desires to leave, and unable to offer any hope for the future. The only thing opposing her is a man who she’s unable to bring herself to care for as more than a friend and the art student who’s vying for Kazuna’s heart.

There are very few ways for a story like this to end, and the slow march to it becomes clear at the halfway point. That hardly ruined my enjoyment of the story, since this is really more of a character study than anything else. These really are some broken characters that I felt for. At the same time it’s fascinating to see how societal pressure also explains a lot of why Kazuna and his sister feel about their sickness, not just the familial alone, though the traditions of centuries also weigh on how they deal with certain issues. That combined with the character’s psychology – and this really made sure to let you into their minds to see how they thought and felt about issues – really just made this story what it is.

Overall, this is very mild on the horror and is heavy on the tragic. It’s not Dracula, but it’s certainly a good take on the vampire theme!

Recommended: 16+. There’s an implication of incest between their father and Chizuna, and possibly between the two mains. There’s a few panels where you see the dead body of the mother, where she attempts to kill her daughter and where she’s lying under a tree. The most you see is some blood.

Other titles you might enjoy:

Monster (anime and manga)

Koi Kaze (anime and manga)

World Embryo (manga)

“A Shocking Conclusion” – B-Shock (manga) – 1/10 Desks

Deceiving others. That is what the world calls a romance. ~ Oscar Wilde

Mangaka: Junko Nakano

Genre: Romance/Comedy/School/Seinen

Review Status: Complete (4 Volumes/4 Volumes)

Licensed: This manga is unlicensed in the US.

Art/Animation: Eh. Typical manga art. I really wasn’t that impressed. Both th characters and backgrounds are very undetailed, and could be replaced with Generic Manga Character #2. Nothing really stands out.

Summary: “B-Shock!” is mostly a screwball romantic comedy, a showcase for Nakano’s wry sense of humor that does not often show in her work in “Young You”. However, “B-Shock!” is also a shrewd commentary on the relationship between the upper and working classes. As much as the Japanese pride themselves as being a homogeneous society, there still exists economic “haves” and “have-nots” as in all industrial societies. What would happen if you force together two people from different social strata who would normally not give each other even a passing glance? (Manga-Sketchbook)

Review: I can have a harder time connecting with romantic comedies from a guy’s point of view, simply because I’m not a guy and still don’t understand quite how guy’s minds work. However, there are certain standards of comedy that I think both genders can enjoy. Instead, this goes for a raunchier attempt at romance which manages to fail hard on a number of levels.

The premise is that a normal guy, Arata, is at college and in love with a girl, Hatsune, from afar. One day, a wacky professor decides that for the heck of it, he’s going to connect them via electronic bracelets; should they attempt to move outside of a safe range (for most of the series it’s one meter) then they’ll be blown to bits! This is where the first misstep is – the idea that physical violence (DEATH) can inspire romance between two people. It’s not improbable, otherwise there wouldn’t be Stokholm Syndrome, but these two can live and work in the outside world. To boot, they aren’t allowed to tell anyone about the situation or they’ll be killed remotely.

I’m not against having two people trapped together and developing feelings for each other. My issue is how this is executed. There are the standard issues for when they’re stuck together, like how they navigate going to the bathroom. That was good for a few chuckles, but wasn’t anything new or interesting when I’ve seen tsundere romcoms. A lot of elements were pretty similar. It was the same case for how they navigated living in the same room.

What caught my attention and was different from the norm was how they had to deal with not being able to tell anyone what was going on. This meant Hatsune was forced from her family’s home under the shame of the assumption that she’s not a virgin anymore and therefore spoiled goods. While that was unbelievably insulting – no woman’s value should EVER be determined on her sexual experience alone, and Hatsune was the smartest girl in the school! – it still made for an interesting situation when they had to find work to support themselves. Often, how a student does so is glossed over or assumed to be taken care of by the parents. This plot twist left Hatsune without any money, and because of their inability to be farther than a meter apart, Arata couldn’t keep his original job. Trying to find one that they could do together was honestly the best part of this manga!

That doesn’t make up for the rest of it, however. This goes for blunt ecchi comedy, including discovering Hatsune’s father in the midst of an affair, Arata almost being seduced while Hatsune was in the same room, and the repeated use of rape as comedy. That’s right, rape is supposed to be funny and/or alluring. The first time they go to Arata’s room he makes a move to have his way with her, even though she’s not hot on the idea. Who would have guessed that she wouldn’t want to have sex with a complete stranger?! Around the middle of the series he seriously considered making a move on her while sleeping and she’s depicted as liking it even though she didn’t want it. It is never disputed, and the only reason he decides against it is simply because she doesn’t want him in the same room. Appalling? YES. Ever so much.

It repeatedly goes for objectifying women sexually, not only in how Arata treats Hatsune (and how the rest of the family treats her, to boot), but with the side characters as well. One member of their group is trying to create the perfect sexbot and constantly is asking Arata and Hatsune about their sex life in order to create a better one. Another one has absolutely no moral compass of his own and marries Hatsune’s rival merely because he took her virginity (supposedly. He thinks so, and the rival uses it to get him to marry her). There’s no actual love in their relationship and that is disturbing on so many levels. Hatsune’s father? Has affairs because he can’t get it from his wife. The sexual shennanigans are simply appaling because there’s no romance behind it and no reason to like these characters. They’re all in it simply for their own self-satisfaction and personal goals! Seeing them doesn’t contrast against Arata’s and Hatsune’s relationship and shows how much better it is – it highlights why so much of it is so wrong.

And in their relationship there are lewd daydreams and a horrifically contrived romance. It feels more like she falls for him simply because she doesn’t see any hope of ever being let out of the cuffs than anything else. And the worst part about of all this? The whole reason behind the experiment and why they were chosen is never explained! There’s no rhyme or reason to what happened other than a mysterious island laboratory and an explosion that leads to the disappearance of the scientist that cuffed them… and the only person that knows why he did what he did. It’s the dumbest, most contrived ending that I’ve come across in a long time. Between the completely unfunny jokes, the lack of explanation for anything, and the unbelievably offensive attempted rape, I am appalled that this ever was printed! It was a complete waste of my time to read it.

Overall, don’t even bother.

Recommended: 18+. This has plenty of partial nudity and suggested nudity, plus at one point the mains work at a love hotel… where they catch Hatsune’s father in the middle of sex.

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ANYTHING else.